The 2018 Americana Music Festival and Conference brought hundreds of artists to Nashville for six days of sweaty showcases, elbow-to-elbow day parties and probing panels. Powerful new solo voices emerged, rock bands proved their place in the genre, and the old Americana guard reinforced their legend status. Here’s the best things we saw.

Photo: Jordan O’Donnell

Best Speak Your Mind: Tyler Childers
If it were a just world, Tyler Childers would have already won a new artist award at either (or both) the CMA Awards or the ACMs. Instead, the Kentucky songwriter was welcomed into the Americana community as the winner of the Emerging Artist of the Year Award, an honor that has gone to Margo Price and Amanda Shires in past years. But Childers didn’t give a typically warm-and-fuzzy acceptance speech. Rather, he corrected television journalist Anthony Mason regarding the pronunciation of his last name, and then criticized the very genre lauding him. “As a man who identifies as a country music singer, I feel Americana ain’t no part of nothin’. It is a distraction from the issues that we are facing on a bigger level as country music singers.” It was a sharp, biting comment, a coda to his sublime acoustic performance of “Nose on the Grindstone”  earlier in the night. B.M.

Best Hidden Talent: Allen Thompson
More than offering up the same old, same old, the collaborative spirit of AmericanaFest is a great opportunity for artists to show off an unexpected side to their talents. A perfect example was Nashville singer-songwriter Allen Thompson, who took two wildly differing turns at the mic during the Basement East’s Show Up and Sing! showcase. First came a dead-on impression of Michael Stipe as he threw himself into a cover of R.E.M.’s “Orange Crush.” Far more unexpected, however, was the grooving, swaggering reggae of Bob Marley’s “Get Up Stand Up,” which Thompson nailed with the help of the Watson Twins. J.G.

Best Movie Stars: Ben Dickey and Charlie Sexton
Ben Dickey and Charlie Sexton were revelatory in the new biopic Blaze as Blaze Foley and Townes Van Zandt, respectively — and at an intimate afternoon set at Luck Mansion they lived up to their onscreen performances by playing some of Dickey’s original, haunting folksongs and a Foley tune, too. Sexton’s fingerpicking was as casually virtuosic as ever, with Dickey’s voice as soothing as the Willie’s Remedy CBD coffee on pour (turns out, the Red Headed Stranger knows how to make a good cup of joe, too). The set ended with the duo playing Foley’s “Sittin’ by the Road,” one more notch in their attempt to keep these potent works from being lost to time. M.M.

Photo: Ky Elliot

Best All-Star Discussion: Amazon Roundtable
If you’ve ever dreamt of being a fly on the wall of a conversation between some of the world’s best musicians, this special roundtable presented by Amazon Music’s Today in Music is about the closest the average layperson could get. Featuring John Prine, Jason Isbell, Amanda Shires, Dave Cobb, Margo Price, and Brandi Carlile in interview with host Adam Steiner, the conversation covered a diverse range of topics, including early musical memories, intimate stories from the recording studio, female representation in music festivals, and each artist’s preferred studio snack (spoiler: Prine loves tequila and fried chicken). And good news: if you weren’t one of the lucky few present to witness it, you can watch it here now. B.M.

Best Album Preview: Kelsey Waldon
Though she’s been touring nonstop of late, it’s been since 2016’s I’ve Got a Way that Kelsey Waldon released new material. But the Kentucky native is gearing up for a long-awaited new album in 2019, and she used her Thursday set at the Basement East to debut some excellent fresh tracks, from “Havin’ Hard Times,” about life working in the coal mines, to soulful country songs about drugs (“not the good ones,” she told the crowd), heartbreak and home. It was a warm-up worthy of where she headed the next day — to open, and sing with, John Prine. M.M.

Best Backing Band: Whiskey Wolves of the West
Leroy Powell and Tim Jones didn’t play a proper showcase with Whiskey Wolves of the West until Saturday, but that’s because they’d been busy as a house band nearly every night before that. The sheer amount of material they must have learned is staggering: Tuesday saw them play the Show Up and Sing! party, Wednesday was Paul Cauthen’s Velvet Revue, and Friday brought a tribute to 1968, each one of which was a marathon affair. Whether Powell was shredding away on “Sympathy for the Devil” or Jones was bringing his bawdy theatricality to “Okie from Muskogee,” they never missed a beat. J.G.

Photo: Jordan O’Donnell

Best Texas Dancehall: Mike and the Moonpies
Unlike many of the artists performing multiple gigs during AmericanaFest, Mike and the Moonpies only played a single show — but it was a shit-kicking doozy. The Texas band’s midnight set on Saturday at 3rd & Lindsley found leader Mike Harmeier singing, picking and Yoakam-spinning with reckless abandon. Which went double for bass player Omar Oyoque, who kept the band tight in the pocket while striking his best Gene Simmons pose. But it was the Moonpies’ two-step-inspiring songs that tied it all together, from the title track to 2015’s Mockingbird to the sublime “Beaches of Biloxi” and sing-along “Road Crew” off their latest, Steak Night at the Prairie Rose. The capper: a raucous, winking cover of Dr. Hook’s “Cover of the Rolling Stone.” J.H.

Photo: Rick Diamond

Best Try Not to Cry: Brandi Carlile at Studio A
One of the best producers with one of the best voices in one of the best studios in the world: it’s a singularly Americana combination, and on Wednesday Dave Cobb and Brandi Carlile met up at RCA Studio A, which Cobb calls his artistic home and where Carlile’s LP By The Way, I Forgive You was recorded. A conversation between Cobb and Carlile about the making of the album — from stories of working with the late Paul Buckmaster to the spontaneous way “The Joke” was written — was engaging and informative, and provided a rare peek behind the curtain. But it was the performance, where Carlile and her band brought along a string section for a goose bump-inducing version of Americana Song of the Year nominee “The Joke” and saw her taking the keys for “Party of One,” that had the audience choking back tears. M.M.

Photo: Jordan O’Donnell

Best Shut Up and Listen: John Hiatt
Chances are slim that any crowd at AmericanaFest was as quiet as the one that watched John Hiatt perform at the Station Inn on Thursday night. The room was eerily still, as though the world had momentarily stopped turning for what was a veritable clinic in musicianship. Alternately whistling, grunting, and barking out his lyrics, the 66-year-old chopped through his set with a gruff inelegance that was raw, beautiful, and sometimes chilling, relying on nothing but a guitar, harmonica and his knack for emotional ventriloquism. Hiatt cut the tension with lighthearted banter, and even obliged with an encore of “Have a Little Faith in Me.” J.G.

Best Redefining the Sound: The Suffers
On their 2018 album Everything Here, Houston-based band the Suffers concocted an inspired vision of roots music that went beyond the usual Muscle Shoals or Music From Big Pink references to include joyful bits of disco and guest spots from Houston rappers. At their AmericanaFest showcase, the eight-piece outfit brought it to life, bouncing effortlessly between sultry, quiet-storm jams, horn-punctuated bangers and jazzier excursions, sprinkling in tunes from their 2016 debut along the way. Dynamic singer Kam Franklin shimmied like Tina Turner, with a voice that was equal parts tender and tough, candidly declaring her agency and mapping out an alternate history of Americana music in the process. J.F.

Photo: Jordan O’Donnell

Best MVP: Aaron Lee Tasjan
You couldn’t walk into a bar, club or even backyard during AmericanaFest and not bump into Aaron Lee Tasjan. The singer-guitarist, who released the terrific new album Karma for Cheap last week, kicked off his Americana week at the Basement East, where he performed a bombastic version of Helen Reddy’s “I Am Woman” at the Show Up and Sing! tribute night. From there, he played at least one show each day, culminating with three gigs on Saturday. A believer of the “it’s not how you feel, but how you look” dogma, stylish cat Tasjan sported a different outrageous outfit each night. J.H.

Best Open Defiance of State Law: Asleep at the Wheel
Legendary bands like Asleep at the Wheel certainly don’t have to play Americana Fest — but on Friday afternoon, Ray Benson and his crew, including fiddler-vocalist Katie Shore, took to the Luck Mansion living room to bring some pure Texas country and Western Swing to East Nashville. They showcased cuts off their new LP New Routes (“Jack I’m Mellow,” “Call It a Day Tonight”), took a poignant turn with a version of the late Guy Clark’s “Dublin Blues,” and embraced stoned contentment when a joint surfaced (courtesy of Luck godfather Willie Nelson). “People say you can’t play music high,” Benson said, taking a toke and passing it on to Shore (who, by the way, is a vocalist and instrumentalist of the highest order) before launching into song. “We’re about to prove ’em wrong.” Naturally, they did. M.M.

Photo: Rick Diamond

Best Topical Talk: Immigration Panel
Diversity has been a topic of debate within the Americana community for several years now, a conversation that has begun to shape musical performances and conference panel topics in interesting ways. One of the conference highlights was the panel “Deportees, Woody Guthrie, and Immigration Today,” which sought to tie the decades-old messages of Woody Guthrie’s music with today’s issues surrounding immigration. Panelists Alejandro Escovedo, Will Hoge, Deana McCloud, Mark Fernandez, and Radney Foster each brought valuable perspectives to a complex topic that only grows more polarizing with each passing day of the news cycle. Foster summed it up well when he said, “We don’t need a wall blocking Mexico, we need a bridge to Mexico. We are intricately intertwined.” B.M.

Best Diverse Band: Ryan Culwell
Backed by Megan McCormick on guitar and drummer Meg Coleman, Ryan Culwell’s band — which also included guitarist Ethan Ballinger and bassist Geoff Henderson — represented the inclusivity he preaches on his new album The Last American. Taking the stage at the 5 Spot on Friday night, the Texas songwriter delivered tracks off the record with both quirky charm and laser-focus, whether it was the lullaby for his daughters “Moon Hangs Down” or the ominous murder jam “Dig a Hole.” But he allowed himself to go off the rails at least once — a frenetic, mesmerizing reading of his single “Can You Hear Me” that found Culwell chanting “I can’t breathe” over and over. J.H.

Best Otherworldly Sound: Erin Rae
Erin Rae graced Third Man Records on Thursday night with the same lineup of players with whom she’d recorded her recent Putting on Airs LP. The core of the Nashville native’s set had to do with her own lilting voice, at once  wispy and full bodied, yet the harmonies from her bandmates unquestionably added to Rae’s gentle, calming effect. In many cases, like with “Bad Mind,” those vocals were but a starting point for impressionistic arrangements that flowed on a wave of harmonics, the musical equivalent of a dream sequence. J.G.

Photo: Jordan O’Donnell

Best See You Next Year: Sunday Morning Coming Down
There’s no better way to end Americana Fest than with JP Harris’ now-annual Sunday Morning Coming Down, where performances are interspersed with tastes of his legendary gumbo. Erin Rae and the Secret Sisters paired up for a stellar set (with the Sisters giving a special nod to the women in Americana); Elizabeth Cook brought some killer country (and a cover of Lynyrd Skynyrd’s “Gimme Three Steps”) sporting a pair of incandescent blue leggings; and Harris himself launched into his own breed of modern honky-tonk and also made space for Michaela Anne, Sunny War, Kellen Wenrich and Joe Purdy to take the mic for their own tunes. Parting Americana-style is such sweet sorrow. M.M.

Best Grit and Grin: American Aquarium
As far as AmericanaFest performers go, few can match the intensity of BJ Barham. The North Carolina singer-songwriter and his reconstituted band delivered a wide-eyed performance at 3rd & Lindsley on Friday night, delivering songs off their latest album, the politically charged Things Change. “The World Is on Fire” had Barham spitting, “This ain’t the country my grandfather fought for,” summing up the angst of many into one succinct lyric that nodded to a different America. But Barham wasn’t just preaching hope and change — he also relived his hedonistic rock-star days in “Jacksonville” and “Losing Side of Twenty-Five,” relishing the fact that he’s still here to tell his tales. J.H.

Photo: Jordan O’Donnell

Best Addition to the Nashville Skyline: Margo Price Rooftop Concert
When it comes to sublime scenes, few things fit the bill like Margo Price and her band of pickle-jar-tight country-funk assassins laying down their gospel on the roof of Third Man Records as looming storm clouds give way to the brilliant glow of a tangerine sunset. By the time Price & Co. took the, erm, roof early Thursday evening, a few hundred fans, festival goers and freeloaders — many arriving on Bird Scooters (Hey, don’t knock it ‘til you try it!) — had caught word of the announced-on-short-notice pop-up show. While a reliably dazzling set of slack-keyed-stomping, subtly psychedelic Price standards like “Tennessee Song” and “Do Right By Me,” along with a performance of her just-released one-off single “Leftovers,” echoing off downtown Nashville’s nearby high-rises was worth coming out, a pair of duets with surprise guests at the surprise show elevated the mood like a gravity bong rip of Price’s signature weed strain, Nowhere Fast. The first, a location-appropriate serenade of the Beatles’ “Don’t Let Me Down” with Lilly Hiatt, stopped nearby foot traffic. While the second — an ecstatic romp through Dolly Parton’s  “9 to 5” with Brandi Carlile — made for as perfect a moment as one could ever ask for in Music City. A.G.

Best Import: Yola Carter
From Canadian country to European folk, Americana is nowhere near a singularly American experience, demonstrated on Thursday morning at the British-sponsored Bootleg BBQ at Dino’s. And one of the most exciting artists from across the pond is Yola Carter, a Bristol-based singer-songwriter with a voice that can range from confessional coo one moment, to full-on heart-wrenching howl the next. As guests ate burgers and drank bottled cold brew, Carter meditated on toxic relationships and the appeal of being alone with an uncanny force. Playing songs from her 2016 LP Orphan Offering, her roots may be English, but what she brought was otherworldly. M.M.

Best Guitar Hero: Richard Thompson
There was no hiding how pleased Richard Thompson was to be sharing the stage with Siobhan Kennedy at 3rd & Lindsley on Friday night. The 69-year-old’s face lit up with a youthful smirk each time he shot a glance at his singing partner, the wife of his sometime collaborator Ray Kennedy and a key part of his newly released 13 Rivers LP. While Thompson’s guitar playing was crisp, precise, and often stormy as it swelled with a flurry of snapping strings, Kennedy was a steadying force. The pair brought a particularly telepathic energy to the classic “I Want to See the Bright Lights Tonight.” J.G.

Photo: Rick Diamond

Best Couples Therapy: The War and Treaty
Husband-and-wife duo the War and Treaty (Michael and Tanya Trotter) popped up several times over the course of AmericanaFest 2018, flattening every crowd that had a chance to witness them. Fresh from releasing their full-length debut Healing Tide — produced by Americana hero Buddy Miller — the duo radiated joy and love during a riveting showcase at Cannery Ballroom, evoking ecstatic gospel music while singing about some furtive backseat passion in “Jeep Cherokee Laredo” and urging unity for the sake of a broken world in “Healing Tide.” Michael Trotter was seemingly responding to Tyler Childers’ disparaging comments about Americana when he declared during their set that the genre wasn’t a joke and, indeed, there’s no better proof than the fact that these two special performers now call it home. J.F.

Best Raw Materials: Devon Gilfillian
Nashville-by-way-of-Pennsylvania singer-songwriter Devon Gilfillian played AmericanaFest for the first time this year, joined by his three-piece backing band. But on Thursday night, within the tight confines of the Luck Mansion, he played a solo set where he accompanied himself with an electric guitar, kick-drum pedal and tambourine. They proved the perfect tools to show off his smoky vocals, which fluttered and smoldered as he massaged the words for maximum, elongated effect. Augmented by the jazzy and occasionally gritty minor chords he strummed out, it was delivered with the flickering intensity of a late-night confessional. J.G.

Photo: Jordan O’Donnell

Best Larger Than Life Persona: Paul Cauthen
It seemed like the Texas-based Paul Cauthen was everywhere this Americana Fest, from showcases on a rooftop to his Big Velvet Revue on Tuesday night. But it was an intimate moment at the Luck Mansion, with powerhouse player Daniel Donato on guitar, which showed how he doesn’t need much to transmit a massive sound. Cauthen performed songs like “I’ll Be the One” with those guttural, wake-the-dead vocals, while Donato shredded away, coming together for a version of the Grateful Dead’s “Friend of the Devil” that reminded us how it’s not just Hank Williams and Whiskeytown that has influenced this generation of Americana artists — it’s Jerry Garcia and company, too. M.M.

Best Family Gathering: Ruston Kelly
Ruston Kelly’s Friday night Mercy Lounge set felt like a bit of a victory lap after the release of his terrific new LP Dying Star, bringing a tight family band — including backup singer sister Abby Kelly Sevigny and father Tim “TK” Kelly on the steel guitar — to celebrate. Songs like “Mockingbird,” “Jericho” and the set closer “Big Brown Bus” found him walking the line between “I Walk the Line” and Ryan Adam’s “Bartering Lines,” seamlessly blending a bit of Tennessee twang into a rock & roll soul. The crowd went wild when Kelly brought out yet another member of his tribe: wife Kacey Musgraves, who joined him for a gorgeous duet on “Just for the Record.” M.M.

Best Americana Is the New Indie Rock: The Nude Party
Singer Patton Magee didn’t even take the mic on the first song of the Nude Party’s afternoon set at 3rd & Lindsley on Friday, which set the tone for the extended jamming that followed. Magee’s playfully sneering vocals conjured up a young Lou Reed, and his cool presence helped anchor the head-banging chaos of his band members. But while they may have looked frantic, the North Carolina natives were in lockstep on a nimble, driving groove that was equal parts ghoulish surf breaks and gritty garage-rock riffing, all tied together by a knack for hooks meant to be shouted, not just sung. J.G.

Photo: Rick Diamond

Best One to Watch: Logan Ledger
Metaphorically, the spirit of T Bone Burnett is all over Americana Fest — he’s been a driving mind behind so many greats of the genre, including the pivotal O Brother, Where Out Thou soundtrack. But on Friday night at Mercy Lounge, he actually appeared, supporting his newest signee Logan Ledger, a promising Rounder Records artist whose upcoming debut LP Burnett is producing. Joined by Marc Ribot on guitar, Ledger played songs infused with classic country (in the Fifties-era Webb Pierce vein), Buddy Holly and a bit of Southern soul — including one co-written with John Paul White, who lingered in the audience during his set. M.M.

Best Eighties Cover: Andrew Leahey and the Homestead
Tuesday night’s Show Up and Sing! tribute concert at the Basement East, presented in part by Rolling Stone Country, was a playlist of protest songs performed by Aaron Lee Tasjan, Will Hoge and Susan Marshall. But it also included tracks that alluded to the struggle for power — like Tears for Fears’ “Everybody Wants to Rule the World,” delivered by roots-rocker Andrew Leahey and the Homestead, the house band for part of the evening. Leahey (a Rolling Stone Country contributor) hit all the marks with his high tenor, adding a Liam Gallagher nasal shine to lines like “turn your back on mother nature” and “nothing ever lasts forever.” And his players were right there with him, expertly re-creating an Eighties staple note-for-note. J.H.

Best Debut: Watson Twins
Somehow this year was the Watson Twins’ first-ever AmericanaFest appearance, even after performing with and contributing their supernatural sibling harmonies to so many artists within the genre, from Jessie Baylin to Shooter Jennings and Jenny Lewis. On Thursday, twins Chandra and Leigh Wilson packed into the tight quarters of the Luck Mansion to fill the room with tunes from their forthcoming LP Duo, blending classic country, folk and indie pop just as easily as their two voices blend together, constantly in unison. M.M.

Photo: Jordan O’Donnell

Best Non-AmericanaFest Show: Cody Jinks
Cody Jinks’ multi-act lineup at Ascend Amphitheater wasn’t an official part of Americana week, but there sure were a lot of festival badges seen in the crowd. Jinks, a grassroots tattooed phenomenon, recruited songwriter Kendell Marvel, Southern rockers the Steel Woods and honky-tonk badass Nikki Lane for a mini-festival on Saturday night. While all of the openers resonated with the crowd, it was Jinks who commanded, delivering twangy, brooding cuts like “I’m Not the Devil,” “Must Be the Whiskey” and “Somewhere Between I Love You and I’m Leaving.” Now signed to Rounder Records, Jinks is catching outlaw lightning in a bottle. J.H.

Best Crunchy Rocker: Kyle Daniel
The Kentucky singer-songwriter never meet a power chord he didn’t like. During a Tuesday-night set at Acme Feed & Seed, Kyle Daniel slashed and burned his way through songs off his new EP, including the booze-sweats of “Hangover Town” and the Allmans Brothers vibe of “Keep on Rollin’.” He also made time for a well-received Nineties cover: a take on the Wallflowers’ “One Headlight” that fit snugly into his satisfying set.

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